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The bigger 48 mic, 112 fader strip system
This example shows the bigger iLive-T112 surface with 28 faders and 4 layers
(112 strips) at FOH mix position and the iDR-48 rack on stage near the sources.
You get a massive 72 sources to the mix including 48 mics on stage, 16 local line
inputs at the surface and 8 stereo internal FX returns. The ACETM digital snake replaces
the traditional heavy copper multicore that would be needed with a conventional console.
This single CAT5 cable provides the network link for the surface to control the rack and
also transports local audio to and from the mix position. Audio available at the rack includes
24 XLR line out, while the surface provides 12 line out (8 TRS, 2 RCA, 1 spdif). |
The compact 32 mic, 80 fader strip system
This system combines the more compact iLive-T80 surface with
20 faders (80 strips) and the smaller iDR-32 rack with the ACETM
digital snake linking control and audio. You get 48 sources to the
mix including 32 mics on stage, 8 local line inputs at the surface
and the 8 stereo FX returns, but the channel count doesnt stop there...
Using the same 64x32 DSP mix engine as the larger iLive you still
have the full 64 channels of processing available and enough strips
on the surface to control them. You could split inputs for separate
FOH and monitor processing, or add more inputs via the audio network
option slot. Audio available at the rack includes 16 XLR line out,
while the surface provides 8 line out (4 TRS, 2 RCA, 1 spdif).
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FOH / Monitor system Two engineers, two systems linked
Here, two systems are linked using a digital
mic split to share the same preamps. This saves you
the cost and weight of an analogue splitter and means
you could use the smaller iDR-32 rack at FOH but still
mix the full 48 mics plus the additional local inputs.
Each is fully configurable to match its application so
providing properly equipped dedicated FOH and monitor
architecture and layouts.
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Leave your surface at home run using a laptop
For those situations where space is very tight or you
need to mix discreetly, you can mix your show using just
a laptop running iLive Editor software. Standard network
technology provides the benefit of wireless and touch tablet
operation giving you total freedom to tuck the rack away on stage
and mix from anywhere in the room or on stage. Add a PL Series
controller if you want to provide physical controls for certain
key functions, for example important channels or DCA masters.
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FOH / Monitor system Two engineers, one system with laptop monitors
Here, two engineers can independently mix FOH and monitors using just
one system. iLive-T makes this possible by allowing networked surface and l
aptop operation, and providing the full 64 channels of processing so that you
could even split your sources into two sets of channels, one for FOH, the other
for monitors. Not only does this make dual operation very affordable but it also
saves space whether at the side of stage or FOH depending on where you decide to put the surface.
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FOH / Monitor system Personal monitoring
Single system with FOH engineer and monitors controlled by the musicians on stage
Daisy chained PL Series controllers, one for each musician
Wireless tablet for the engineer to set up and adjust the system while on stage
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